CLUBBING INSISTENCE: AFTER A PARTY

NEXT Balkan: Kosovo Contemporary Art organized by DOMA Art Foundation
Curated by Hana Halilaj
27 October - 30 November, 2022
With the participation of:
Atdhe Behluli, Laureta Hajrullahu, Arbnor Karaliti, Leart Rama, Mimoza Sahiti, Yll Xhaferi
CLUBBING INSISTENCE: AFTER A PARTY | Doza Gallery
DOMA Art Foundation is pleased to present “Clubbing Insistence: After a Party,” a group exhibition featuring Atdhe Behluli, Laureta Hajrullahu, Arbnor Karaliti, Leart Rama, Mimoza Sahiti, and Yll Xhaferi. The exhibition assembles works across a multitude of media and disciplines that reflect on happenings and clubbing as a fleeting catharsis, a need, and an act of transgression against the broader political and socio-economic factors that propel a state of physical and emotional isolation.

Altogether, the works allude to the alienation, euphoria, and despondency manifested in such shared experiences in both public and private spaces. At Doza Gallery, photographs by Atdhe Behuli document intimate moments at private gatherings that serve as a sanctuary space for self-exploration and celebration of queerness as acts that are consistently contested and violated in public environments. These confining social norms are described as “the abyss that will never let me see above” in the video of the filmmaker and DJ, Leart Rama, entitled I AM BREAKING MY HEART. Accompanied by a sound piece composed by the artist, the video recounts a deeply personal, yet collective endurance of existing with the rollercoaster of emotions each hold within, from grief to hysteria, from exhilaration to numbness– making us whole.
Venues:
Toplocentrala - Regional Center for Contemporary Arts
DOZA Gallery
Mission Gallery
NEXT BALKAN is a platform for exchange and cooperation among young artists and art professionals in the Balkan countries. It consists of a series of exhibition events with accompanying programs. Its purpose is to promote possibilities for cooperation and empower young artists in the region to place themselves on the global art map. The project aims to review trends in contemporary art of the Balkans. This edition will bring a curatorial perspective on the Kosovan art scene.

Each iteration of the project took place in a different country in the Balkans including Serbia, Bulgaria, Albania. The upcoming edition will present artists from Kosovo as a continuation of addressing and presenting contemporary issues and themes characterizing each of these respective cultural spheres. Can we find shared opinions and common trends? How do we see the “future” of art and can we talk about a shared narrative following the legacy of the major Balkan exhibitions?